[Music] Tapewolf - Incubi and Succubi (LP)

Started by Tapewolf, April 01, 2013, 04:45:51 PM

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Tapewolf


Here's another two tape's worth of Progressive rock.

I don't know how I've been able to write music quite this quickly, and frankly I thought I'd come to the end of the line.  But no, somehow I managed to write and record the whole thing in the space of about 7 months.  Most of it was conjured up from the dark subject material in DMFA recently, the others were songs that were started, abandoned and then picked up again and finished off later.

As usual, demos of most tracks were previously published in my music thread or on FA.

I'd be interested in feedback on the music, though it's too late to change it now.  The PDF file with the lyrics however, that could really do with proof-reading.  It seems good to me, but I'm going to want to get a print run done for Anthrocon and Confuzzled so if anyone sees any issues with it, speak now or forever hold thy peace.

The album can be found here:
http://dougtheeagle.com/ias.htm
Hopefully it will appear on Jamendo as well later this week.

The lyrics booklet is here.  There's a higher-res version on the website, this one's about 3MB:
http://tapewolf.wildernessguardians.com/audio/incubi/incubi-small.pdf

Thanks again to Amber for the cover!

Long and boring description of the album

I never really had plans for this album, in fact I had about given up hope and began recording an album of remixes and rerecordings from my first four albums. But then, DMFA, which has been often been an unlikely source of inspiration, suddenly took a turn for the dramatic causing my muse to go into overdrive. This album is the result, and for this reason many of the tracks are written around the brutal and oppressive aspects of the DMFA universe which we've suddenly had a window into.

Musically, it is an interesting experiment in that I suddenly broke down and bought an electric bass about 4 months prior to the deadline for the album. Perhaps this haste was a mistake, but I think that it does lend some honesty to an album almost entirely produced using sequencer software.

'The New War' is the opening track, the opening line is dubbed directly from the master tapes of 'Niall's Song' and slowed down to match the key. I believe this was the first song to be written for the album. The bridge near the end came from a dream in which a Genesis album was playing in the room below mine. On waking I remembered enough of it to be able to put it into the sequencer, adding a vaguely Firth-of-Fifth feel to the song.

'Gathered Together By Spring' as an instrumental inspired by a bolero I had been working on the previous year but abandoned. The name was a random phrase from somewhere. It was the last song to be written for the album, and I think the only track which hasn't already been posted on FA in demo form.

'A Fae Story' is an interesting one, it started out as a take on fairy tales, but got sucked into the DMFA universe. The chorus was the first part to be written, and I had most of the music down pat, inspired partly by music from a 1980s computer game that shall remain nameless. However I was never really happy with the story after the first two verses. I think I rewrote it about a dozen times before coming up with something that didn't completely suck.

'Born With Wings'. This is a rather sad song, inspired by Amber Williams' webcomic, when it became apparent how badly magical creatures could be treated by the more numerous, non-magical population. It was the second song to be written for the album, and the third to be recorded. The ending is slightly more upbeat than the desperation of the first few verses, and this was a deliberate decision because I wanted something poignant, not miserable enough to prevent people wanting to listen to it or have the listeners attempting suicide afterwards. I think I got the balance about right.

'The Age of Daryil'. This was actually started in mid-2011but came to a crashing halt. I was able to revive it after 'The New War' was completed and it became the second song to be recorded for the album. The harpsichord waltz sprung fully-formed into my head during a game of Doom, just like the one in 'Demonhunter' a few years back. The choir at the end is made from tape loops recorded on a Studer A807, varispeeded and overdubbed onto the master tape. You can hear the tape snatch slightly as they start, something I decided to keep in the recording for my own amusement.

'The Murder Game'. The opening lines of this song also came into existence during a game of Doom (20 years old and still full of inspiration. That's value for money!). The 'circle of violence' line came about on the way into work the following morning, and at that point it snowballed into the song it is today. This was also the first song I began composing the bassline for on the guitar rather than in the sequencer and I think it's fair to say that getting to grips with the instrument pushed the composition into new and interesting ways that wouldn't have happened otherwise.

All tracks recorded on 1" 24-track tape.

J.P. Morris, Chief Engineer DMFA Radio Project * IT-HE * D-T-E


VAE

=*.*=
This made my day! THAAAANKS!
*goes to listen*
What i cannot create, i do not understand. - Richard P. Feynman
This is DMFA. Where major species don't understand clothing. So innuendo is overlooked for nuendo. .
Saphroneth



Zen


Tapewolf

For those who are interested, the album appears to be available on Jamendo here:
http://www.jamendo.com/album/120210

J.P. Morris, Chief Engineer DMFA Radio Project * IT-HE * D-T-E


Merlin

Yo just a warning to everyone "The Age of Daryil" is a fantastic song that may get stuck in your head at the drop of a hat

it's stuck in head right now

send help

Tapewolf

Quote from: Merlin on April 03, 2013, 09:59:39 PM
Yo just a warning to everyone "The Age of Daryil" is a fantastic song that may get stuck in your head at the drop of a hat

it's stuck in head right now

send help

Fun fact: There's a long ending on that one because it was designed to slowly fade out.  When laying down the bass, I came up with a couple of improvisations that I thought sounded nice so I left it without the fading.

J.P. Morris, Chief Engineer DMFA Radio Project * IT-HE * D-T-E